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Faculty

姓名 張美芳
職稱 副教授
最高學歷 英國 University of Wales Swansea 英美文學博士
研究領域 十九世紀末新女性文學、維多利亞時期文學與文化、性別與文類研究
研究室 文351
分機 31201
Email folmfc@ccu.edu.tw
4. Mei-Fang Chang. "In the Name of Community: Duty in Henrik Ibsen's The Pillars of Society." Fiction and Drama 27.2 (June 2018): 1-30. Airiti Press: ISSN 2073-042X. (THCI)

3. Mei-Fang Chang. "Mapping the Sororal Bond in Olive Schreiner's The Story of an African Farm." Sun Yat-sen Journal of Humanities 44 (Jan. 2018): 59-82. Center for the Humanities, NSYSU: ISSN 1024-3631. (THCI core)

2. Mei-Fang Chang. "Woman-to-Woman Relationships in Olive Schreiner's From Man to Man." Fiction and Drama 26.1 (2016): 29-54. Airiti Press: ISSN 2073-042X. (THCI)

1. Mei-Fang Chang. "Narrative Decomposition for Utopian (Re)Composition: The New (Wo)Man in Olive Schreiner's From Man to Man." Research in African Literatures 44.1 (2013): 106-27. Indiana UP: ISSN 0034-5210. (A&HCI)
2. Mei-Fang Chang. "Moral Confession in Henrik Ibsen's The Pillars of Society." The Meaning of the End. Ed. Yuh-Mei Chen. Taipei: Crane, 2017. 27-48. ISBN 978-986-147-800-5.

1. Mei-Fang Chang. "Maternal Geopolitics in Conflict: Olive Schreiner's From Man to Man." Boundary Crossing: New Visions of Instruction and Research. Ed. Jane S. Tsay. Taipei: Crane, 2010. 121-40. ISBN 978-986-147-441-0.

14. Mei-Fang Chang. "Populism versus Solipsistic Elitism in Ibsen's An Enemy of the People." The 14th International Ibsen Conference: "Ibsen and Power." The Center for Ibsen Studies, University of Oslo & Skien Municipality. The Ibsenhuset Concert Hall, Skien, Norway. Sep. 5-8, 2018. (MOST 107-2914-I-194-020-A1)

13. Mei-Fang Chang. "Dramatic Artistry in Philosophical Empowerment: Kantian Duty and Community in Henrik Ibsen's The Pillars of Society." LibEuro2015 (The Second European Conference on Literature and Librarianship): "Power: Text and Context." IAFOR (International Academic Forum). Thistle Brighton, Brighton, East Sussex, UK. July 13-16, 2015. (MOST 103-2410-H-194-110)

12. Mei-Fang Chang. "Surplus Value and Textual Economy: The Single Woman Artist in the New Woman Subplot." The 13th Annual Conference of the British Association for Victorian Studies (BAVS): "Victorian Values: Ethics, Economics, Aesthetics." University of Sheffield, UK. Aug. 30-Sep. 1, 2012. (NSC 101-2410-H-194-122-)

11. Mei-Fang Chang. "Narrative Decomposition for Utopian (Re)Composition: The New Man in Olive Schreiner's From Man to Man." The 12th Annual Conference of the British Association for Victorian Studies (BAVS): "Composition and Decomposition." University of Birmingham, UK. Sep. 1-3, 2011. (NSC 100-2914-I-194-016-A1)

10. Mei-Fang Chang. "Spatial Politics for Virile Motherhood in Olive Schreiner's From Man to Man." Symposium on Cultural Hybridity and Interdisciplinary Research. National Chung Cheng University, Taiwan. Sep. 17, 2010.

9. Mei-Fang Chang. "Old Womanhood vs. New Womanhood: Sisterhood in Olive Schreiner's The Story of an African Farm (1893) and From Man to Man (1926)." The Inaugural Conference of the Victorian Popular Fiction Association (VPFA): "Victorian Popular Novelists 1860-1900." The Centre for Nineteenth Century Studies, Birkbeck College. The Institute for English Studies, Senate House, University of London, UK. Sep. 10-12, 2009. (NSC 98-2914-I-194-019-A1)

8. Mei-Fang Chang. "Does Good Sisterhood Mean Failed New Womanhood?: The Sibling Relations in New Woman Fiction." The 9th Annual Conference of the British Association for Victorian Studies (BAVS): "Victorian Feeling: Touch, Bodies, Emotions." University of Leicester, UK. Sep. 1-3, 2008. (NSC 97-2914-I-194-018-A1)

7. Mei-Fang Chang. "An Ecofeminist Forerunner: The Nature-Child in Sarah Grand's The Beth Book (1897)." International Conference: "Neo-Victorianism: The Politics and Aesthetics of Appropriation." The Centre for Victorian Studies. University of Exeter, UK. Sep. 10-12, 2007.

6. Mei-Fang Chang. "When Two Knights Meet: A Quasi-Carnivalesque in Sarah Grand's The Beth Book (1897)." The 15th Annual Conference of the 18th- and 19th-Century British Women Writers Association (BWWA): "Speaking with Authority." University of Kentucky, USA. April 12-15, 2007. (教育部暨駐英台北代表處文化組留學生國際會議補助)

5. Mei-Fang Chang. "A Textual/Factual Configuration of the New Woman at the Fin de Siècle: Sarah Grand's The Beth Book (1897)." The 14th Annual & International Conference of the R.O.C. English and American Literature Association (EALA): "Revisiting the Nineteenth Century: The World, the Body, the Text." National Cheng Kung University, Taiwan. Nov. 24-25, 2006. (教育部暨駐英台北代表處文化組留學生國際會議補助;中華民國英美文學學會暨國立成功大學國際會議補助)

4. Mei-Fang Chang. "Maternal Geopolitics in Conflict: Olive Schreiner's From Man to Man (1926)." The 7th Annual Conference of British Association for Victorian Studies (BAVS): "Victorian Cultures in Conflict." University of Liverpool, U.K. Sep. 7-9, 2006. (Univeresity of Wales Swansea全額會議補助)

3. Mei-Fang Chang. "Continuity or Severance?: The Demeter-Persephone Bond in Mona Caird's The Daughters of Danaus (1894)." The 6th Annual Conference of British Association for Victorian Studies (BAVS): "Victorians in the Long View: Contrasts and Continuities." University of Gloucestershire, U.K. Sep. 5-7, 2005. (University of Wales Swansea全額會議補助)

2. Mei-Fang Chang. "A Literary Sensation for a Mythical Poetics: Mona Caird's The Daughters of Danaus (1894)." The 5th Annual Conference of British Association for Victorian Studies (BAVS): "Victorian Sensations." Keele University, U.K. Sep. 2-4, 2004. (University of Wales Swansea全額會議補助)

1. Mei-Fang Chang. "Mapping New Experiments, Mapping New Space: The New Woman Künstlerroman in Sarah Grand's Trilogy—Ideala (1888), The Heavenly Twins (1893) and The Beth Book (1897)." The 4th Annual Conference of British Association for Victorian Studies (BAVS): "The Age of Experiments, 1800-1900." University of Wales Aberystwyth, U.K. Sep. 4-6, 2003. (Univeresity of Wales Swansea會議補助;教育部暨駐英台北代表處文化組留學生國際會議補助)


2014-2015. 科技部 (一般型)專題研究計畫 以社群之名:論易卜生社會問題劇中的責任觀 (MOST 103-2410-H-194-110).

2012-2013. 國科會(新進人員)專題研究計畫 新女性小說的單身情節/結 (II-1) (NSC 101-2410-H-194-122).