碩士班(文學)
學年度 |
學 生 |
指導教授 |
畢業論文 |
112 | 吳宜凌 | 賀小本 | Power Dynamic in Relation to Space and Language in Harold’s Pinter’s Plays |
112 | 鄧紅玉泉 | 蔡美玉 | Unpacking Racial Melancholia among Two Generations of Immigrants in The Buddha of Suburbia |
112 | 黎芳妤 | 陳國榮 | The Inspection of Religion in Graham Greene’s The End of the Affair through the Concept of Via Negativa and Leap of Faith |
112 | 黃明賢 | 龔紹明 |
Nostalgic Feelings in Ganguli Family:Film and Textual Studies of Jhumpa Lahiri's The Namesake |
111 | 李明潔 | 賀小本 | Suffering and Failure: Representation of Abjection and Ignorance in Marge Piercy’s Woman on the Edge of Time |
110 | 許芷綾 | 林欣瑩 |
The Frustration Caused by Conflicting Values in Milan Kundera’s The Unbearable Lightness of Being |
110 | 官柏成 | 林欣瑩 | Gender Subversion by Performance in William Shakespeare's The Merchant of Venice |
109 | 邵于珊 | 王明月 | The Harp as a Cultural Object in Sir Orfeo |
109 | 張景翔 | 賀小本 | The Apocalyptic View in William S. Burrroughs' Novels |
109 | 陳芷馨 | 林欣瑩 | Thoughts of Christian Patriarchy: Explore Men’s Bound Social Duty in F. Scott Fitzgerald’s The Great Gatsby |
107 |
曾成中 |
王明月 |
“Þou Art not Gawayn ...Þat Is so Goud Halden”: Problems of Reputation and Expectations in |
107 |
江品樺 |
蔡美玉 |
“Haply, for I Am Black”: A Study of Orientalism in |
107 |
金映君 |
王明月 |
Why Faustus Refuses to Repent: A Secular Reading of The Tragical History of the Life and Death of Doctor Faustus |
107 |
李弦翰 |
林欣瑩 |
The Socially Constructed Womanhood in the Fin de Siècle: Fettered Destiny as an Enigma in Mona Caird’s The Daughters of Danaus |
106 |
劉佩婷 |
蔡美玉 |
Shell Shock and Recovery in Pat Barker’s Regeneration |
106 |
梁皓雁 |
陳國榮 |
Techniques of Restaging William Shakespeare |
106 |
劉妍琳 |
林欣瑩 |
“Good has its reward and evil has its cost”: Choice Making in Charles Dickens’s Our Mutual Friend |
105 |
黃品芬 |
楊意鈴 |
The Interpretation of History in Ulysses |
105 |
林毓謹 |
蔡美玉 |
A Study of the Persona and the Shadow in Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr.Hyde |
105 |
宋明緯 |
蔡美玉 |
Trauma and War in Slaughterhouse-Five |
105 |
黃立誠 |
蔡美玉 |
Is Katniss Everdeen a Good Role Model for Young Women? |
105 |
陳民軒 |
王明月 |
What Makes a Hero? : J. R. R. Tolkien's Concept of Heroism in The Lord of the Rings |
105 |
任啟文 |
張美芳 |
Mutation for a Better Change: An Evolutionary Reading of Mona Caird’s The Daughters of Danaus? |
105 |
王滋薇 |
林欣瑩 |
From Naive to Elevated Self-Enlightenment: Symbols of Memory in Hayao Miyazaki's Spirited Away |
105 |
廖建順 |
林欣瑩 |
Scythe of Victorian Morality and Destiny- A Thesis on Dickens’s A Tale of Two Cities |
104 |
李亞錦 |
李欣怡 |
Anti-Patriarchy Ideology and the Analysis of Characters in Gail Garson Levine’s Ella Enchanted |
104 |
尤瀅淳 |
李欣怡 |
To Leave or To Stay: Women’s Social Condition in Henrik Ibsen’s A Doll’s House |
104 |
黃婉綾 |
林欣瑩 |
Existential Thoughts and Dramatic Techniques in Jean-Paul Sartre’s No Exit and Harold Pinter’s The Dumb Waiter |
104 |
林宏裕 |
林欣瑩 |
The Truth of Humanity behind the Paradise Island in William Golding’s Lord of the Flies |
104 |
柯舜鐘 |
羅 林 |
Bartleby: A Marxist Reading |
104 |
倪迦勒 |
羅 林 |
A Pastoral Reading of Green Hills of Africa by Ernest Hemingway |
104 |
潘怡卉 |
蔡美玉 |
The Possibility of Forgiveness Between Third-Generation Descendants of Holocaust Victims and Perpetrators in Jonathan Safran Foer’s Everything Is Illuminated |
103 |
鄭尹蓉 |
王明月 |
Chaucer’s Boccaccio: The Knight’s Tale |
103 |
吳佳芬 |
龔紹明 |
A Study of New Cosmopolitan Subjects in Jhumpa Lahiri’s Works |
103 |
劉玶豪 |
羅林 |
”The Centre Cannot Hold: The Decentered World” in Kurt Vonnegut’s Slaughterhouse- Five |
103 |
賴彥華 |
羅林 |
Power Games: Language Power in Lewis Carroll’s Alice in Wonderland |
103 |
葉原銘 |
楊意鈴 |
Features of Low Modernism in James Joyce’s Ulysses |
102 |
楊雅茹 |
陳國榮 |
The Eternal Symphony of Waves: A Study of Musicality in Virginia Woolf’s The Waves |
102 |
白依凡 |
林欣瑩 |
A Teacher Affects Badly: Tutorial Mannering and Moral Problem in The Prime of Miss Jean Brodie |
102 |
蘇于珊 |
楊意鈴 |
Wandering Identity in Brian Friel’s Translations and Dancing at Lughnasa |
102 |
黃馨瑩 |
蔡美玉 |
Am I the Only Criminal?”: Monstrosity and Social Circumstances in Mary Shelley’s Frankenstein |
102 |
王筱婷 |
蔡美玉 |
Trauma and Recovery in Anne Michaels’ Fugitive Pieces |
102 |
鄧雅薺 |
王明月 |
Gaze, and Female Power : Sexual Politics in Thomas Chestre’s Sir Launfal |
101 |
陳昌慶 |
陳國榮 |
Anti-Catholic Ideology and Anti-Patriarchal Ideology In Matthew G. Lewis's The Monk |
101 |
劉羿廷 |
游文嘉 |
Revisiting the Double in the Picture of Dorian Gray: A Psychosocial Consideration |
101 |
游鎮綺 |
林欣瑩 |
Representations of Women as 「the Other」 in William Faulkner's Four Short Stories |
101 |
張芸甄 |
王明月 Andrew Lynch |
「Kynde Lorde」: Arthur's Kingship in Sir Thomas Malory's Le Morte Darthur |
101 |
翁於珍 |
蔡美玉 |
Two Survivors' Tales: Trauma in Art Spiegelman'sMaus |
101 |
陳咨蓉 |
龔紹明 |
Identity Crisis and Reflection on Terrorism in Mohsin Hamid's The Reluctant Fundamentalist |
101 |
邱品堯 |
林欣瑩 |
Capital, Habitus, and Field in Robert Louis Stevenson's Kidnapped |
101 |
林俞方 |
林欣瑩 |
African Victimization in Caryl Phillips's Crossing the River |
100 |
張雅鈞 |
林欣瑩 |
Cyborg and Cyberspace in Neal Stephenson’s Snow Crash |
100 |
張竣凱 |
羅 林 |
Adventures of Huckleberry Finn as Sequel to The Adventures of Tom Sawyer: A Narratogical Approach |
100 |
朱慧珊 |
陳國榮 |
The Humorous and the Absurd : How Laurence Sterne Makes Tristram Shandy a Cock‐and‐Bull Story |
100 |
張舜棠 |
陳國榮 |
Marriage, Social Status and Property in Jane Austen’s Pride and Prejudice, Sense and Sensibility and Emma |
100 |
高健毓 |
羅林 |
Individual Sexual Identity vs. Fin de Siecle Bourgeois Ideology in Andre Gide The Immoralist |
100 |
張建明 |
陳鏡羽 |
Polarity, Naturphilosophie, and the Fantastic in Samuel Taylor Coleridge’s Christabel |
100 |
蔡佩樺 |
王明月 |
Gendered Identity and the Operation of Power inChaucer’s Man of Law’s Tale and Clerk’s Tale. |
100 |
蔡佳蓉 |
楊意鈴 |
Family in James Joyce’s Dubliners and A Portrait of the Artist as a Young Man |
100 |
張智琪 |
魏安竹 |
Modern Mexican Mythology: Octavio Paz’s The Labyrinth of Solitude |
100 |
鄭宜娟 |
羅林 |
Eileen Chang's The Rice‐Sprout Song: Propaganda or Classic? |
100 |
侯青青 |
魏安竹 |
Boundaries Challenged in Konrad Wolf’s I Was Nineteen |
99 |
李欣怡 |
石光生,陳月妙 |
Make it Bold: Parrhesia in the Contemporary Western Theatre |
99 |
陳瑞松 |
石光生,陳月妙 |
Distorting or Transcending Shakespeare:Shakespearean Adaptations in Taiwan (1986-2004) |
99 |
蔡妙雯 |
陳國榮 |
The Domestic Life in Jane Austen’s Persuasion |
99 |
何瑞玲 |
陳國榮 |
Conflict, Confusion, and Mystery in E. M. Forster A Passage to India |
99 |
謝宛芝 |
羅林 |
The Transformation of Archetypes in Yeats’s Later Plays |
99 |
周盈秀 |
羅林 |
Ed McBain’s Postmodernist Experiment with Detective Realism in Sadie When She Died |
99 |
王怡文 |
王明月 |
Is She a Cruel Mother?: Griselda and Her Doubters in Chaucer’s Clerk’s Tale |
99 |
吳思怡 |
蔡美玉 |
Mimicry and Trauma in V.S. Naipauls The Mimic Men |
99 |
蕭憲聰 |
林欣瑩 |
Capitals, Field, and Habitus in Raymond Chandler’s The Big Sleep |
99 |
汪哲宇 |
林欣瑩 |
Decadence’s Precursors: Archetypal Reading of Woman and City Experience in Poe’s and Baudelaire’s Selected Poems |
99 |
何沁穎 |
林欣瑩 |
Sexual / Political Politics and Humanity in Dashiell Hammett’s The Glass Key |
99 |
林孟儀 |
李宜臻 |
Women’s Public Life in Renaissance England |
98 |
王光明 |
陳國榮 |
Charlotte Brontë’s Jane Eyre Revisited: The Way to Self-actualization |
98 |
蘇晏琪 |
楊意鈴 |
National Identity in James Joyce’s Dubliners and Pai Hsien-yung’s Taipei People |
98 |
林亮岑 |
陳國榮 |
Fordian Impressionism and The Good Soldier |
98 |
黃美粧 |
蔡美玉 |
Trauma Recovery in Toni Morrison's Paradise |
98 |
楊慧鈴 |
林欣瑩 |
Female Individuality and Politics of Space in Doris Lessing’s The Grass Is Singing and Martha Quest |
98 |
許雲慈 |
吳萼洲 |
The Unemancipated Soul: The Black Masculine Violence in Richard Wright’s “Native Son” |
98 |
蔡幸紋 |
王明月 |
“Her Quen Awede Wold” : Female’s Polyphonic Voices and Madness in Sir Orfeo |
98 |
許菱恬 |
蔡美玉 |
Exploration of Masculinity: Shell Shock and Regeneration in Pat Barker's Regeneration |
98 |
蔡依娥 |
陳淑芬 |
Breaking the Fences—Chinese Ghosts’ “Fighting Back” in Amy Tan’s The Hundred Secret Senses |
98 |
徐建國 |
陳國榮 |
Wuthering Heights and Its Adaptations |
98 |
陳亭宇 |
李根芳 |
From Colonial Complicity to Indian Expatriates’ Dilemma in Naipanl’s A Bend in the River. |
97 |
謝依雯 |
陳國榮 |
Exploring the Unmapped Territory of the Human Mind: Psychology, Society, and Sympathy in George Eliot’s The Mill on the Floss |
97 |
蘇子維 |
李根芳 |
The Representation of Women in Joseph Conrad's Almayer's Folly and An Outcast of the Islands |
97 |
陳明欣 |
薄理察 |
Revelation by Death: Addie Bundren’s Relationship with Her Children in As I Lay Dying |
97 |
鄭玉琪 |
羅林 |
From Folklore to Symbolic Poetics: the Sidhe and Vague Desire in Yeat’s The Wind Among the Reeds |
97 |
王佩雯 |
蔡美玉 |
Repositioning of New Diasporas: Postcolonial Migration, Cultural Translation, and Hybridity in Salman Rushdie’s The Satanic Verses |
97 |
林明慶 |
蔡美玉 |
Racial Amnesia and Trauma Recovery in Beloved and Jazz |
97 |
陳昭良 |
蔡美玉 |
Playing with History: Historiography and Grotesque Realism in Salman Rushdie’s Midnight’s Children |
96 |
顏正裕 |
王明月 |
Power, Sex, and Lies in Gottfried’s Tristan |
96 |
鄭秀珍 |
王明月 |
The Scheme of Salvation: Labor and Sloth in William Langland’s Piers Plowman (the C-Text) |
96 |
黃靜嫺 |
貝路思 |
From Being Written to Write One’s Self: Iris Chase’s Reconstruction of Subjectivity in Margaret Atwood’s The Blind Assassin |
96 |
洪嘉徽 |
薄理察 |
Alice’s Trials in Alice’s Adventures in Wonderland |
95 |
王敏如 |
羅林 |
Gender Identity in Willa Cather's My Antonia |
95 |
張志祥 |
薄理察 |
Education in George Eliot's The Mill on the Floss |
95 |
李怡婷 |
陳淑芬 |
A Study of the Spectacle on Shakespeare's The Taming of the Shrewand The Godot Theatre's Kiss Me Nana |
95 |
周思妤 |
李根芳 |
A Novel Scope: Reading Mrs Dalloway as a Motion Picture |
95 |
江鴻任 |
薄理察 |
Female Momotaro's Homecoming: Naomi Nakane's Victimization and Salvation in Joy Kogawa's Obasan |
95 |
林俐利 |
陳國榮 |
The Double Bind :Charity and Chastity in Frances Burney's Cecilia |
95 |
陳雅淇 |
陳樹信 |
A Study of Gender and Clothing in Virginia Woolf's Orlando |
95 |
蘇中揚 |
陳樹信 |
Interpretation, Misinterpretation and Translation in Umberto Eco’s The Name of The Rose |
95 |
翁藝芳 |
陳淑芬 |
Women's Creativity in Alice Walker's The Color Purple |
95 |
王玄如 |
陳樹信 |
Family that Hurts〞: Struggle between Family and Homosexuality in AngLee's Brokeback Mountain |
95 |
趙景賢 |
王明月 |
The Body Mystical :Body and Spirituality in The Book of Margery Kempe |
94 |
許展彰 |
陳淑芬 |
Writing Back as "The Second Coming": Examining Hybridity, Mimicry and Mock-hero in Chinua Achebe's Things Fall Apart |
94 |
劉沂璇 |
薄理察 |
Woman as Body: Body Discourse and Self-Identity in Kate Chopin's The Awakening |
94 |
林津如 |
陳國榮 |
"The Incessant Rise and Fall": A Spatial and Temporal Study of Virginia Woolf's The Waves |
94 |
卓俊丞 |
薄理察 |
A Study of Human Existence: Three Female's Inner Struggles between Life and Death in Michael Cunningham's The Hours |
93 |
陳昱璋 |
薄理察 |
Stephen Dedalus in A Portrait of the Artist as a Young Man : Flying by the Nets |
93 |
林升堯 |
游文嘉 |
Modernity and Saul Bellow's Discontents: A Study of Tommy Wilhelm's Victimization in Seize the Day |
93 |
趙永玲 |
游文嘉 |
Marriages in George Eliot's Middlemarch |
93 |
劉冠君 |
陳國榮 |
The Liberation of the Female in Daniel Defoe's Moll Flanders. |
93 |
姜文凱 |
陳樹信 |
Post human Identity in Blade Runner |
93 |
蔡書璿 |
羅林 |
Forms of Displacement in Toni Morrison's Beloved |
93 |
陳如琳 |
陳樹信 |
Reality and Hyperreality in Gibson’s Neuromancer |
93 |
蔡嘉芳 |
陳樹信 |
Alien and Otherness in Butler’s Xenogenesis Trilogy |
93 |
王翰旌 |
陳樹信 |
Utopia and Anti-Utopia in Anthony Burgess's A Clockwork Orange |
93 |
杜伊婷 |
羅林 |
Paradoxical Falls in Paradise Lost, Billy Budd, and "Young Goodman Brown" |
93 |
陳璽如 |
王明月 |
“Children of the Planets”: Astrological Influences in Chaucer’s Canterbury Tales |
93 |
洪慧芳 |
薄理察 |
Madness, Revenge and Crime in Poe's stories |
93 |
陳榮旗 |
陳國榮 |
The Art of Concealment and Universal Experiences in Jane Austen' s Novels |
93 |
黃惠茹 |
王明月 |
What thyng is it that wommen moost desiren”: A Study of Women’s Voice in Chaucer’s Man of Law’s Tale and Wife |
92 |
劉穎蓉 |
薄理察 |
Marriage Types in Pride and Prejudice |
92 |
翁秀瑟 |
羅林 |
A Violence within to Defy the Violence without -the Power of Imagination in Phillis Wheatley |
92 |
許玉青 |
陳樹信 |
Exclusiveness and Inclusiveness : A Chicana Feminist Reading of MargePiercy's Woman on the Edge of Time |
92 |
林明芬 |
陳淑芬 |
The Power of English and Literature:Identity Reconstruction in Pygmalion and Educating Rita |
92 |
林倍如 |
李根芳 |
Staying v.s. Escaping : "Two Opposite Animals" in Sam Shepard's Fool for Love and A Lie of the Mind |