比較文學所
學年度 |
學 生 |
指導教授 |
畢業論文 |
102 |
沈昀徵 |
楊意鈴 |
Stephen Dedalus’s Self-Alienation and Fantasy in James Joyce’s A Portrait of the Artist as a Young Man |
98 |
林泰源 |
吳萼洲 |
Three Social States in Jack London’s White Fang |
98 |
陳盈如 |
陳樹信 |
Polyphony in Wang Chen-ho’s Rose Rose, I Love You |
98 |
黃聖文 |
李宜臻 |
The Contending Forces of Money, Power, and Salvation in Bernard Shaw’s Major Barbara: A Marxian Reading |
98 |
謝雅芬 |
蔡美玉 |
Zadie Smith’s White Teeth: Multiculturalism and Immigrant Experience |
98 |
李佩靜 |
李宜臻 |
A Postcolonial Reading of W.B. Yeats’s The Countess Cathleen, Cathleen ni Houlihan, and “Easter 1916”:Gender, Nation, and Sacrificial Paradigms |
97 |
劉安嫺 |
薄理察 |
Civilization and Its Discontents in John Fowels’s The French Lieutenant’s Woman |
97 |
鄭淑麗 |
李宜臻 |
Representations of Irish Mythological Heroine Deirdre in Yeats’s, Synge’s and Lady Gregory’s Deirdre |
97 |
戴佑家 |
李根芳 |
「城市與消費」:紐約都會女性部落生活分析─以《慾望城市電影為例》 |
97 |
楊雅惠 |
貝路思 |
Searching for Lost Maternal Inheritance: Clare Savage in Abeng and No Telephone to Heaven |
97 |
陳達仁 |
貝路思 |
The Relationship between Men and Women in Madame Bovary and Effi Briest: Social Pressure and Inner Conflicts |
97 |
許炳富 |
蔡美玉 |
Female and Mothering in Amy Tan’s “The Joy Luck Club” |
97 |
沈家如 |
蔡美玉 |
Traumatic Haunting and Wounded Selves in Jamaica Kincaid’s The Autobiography of My Mother and Lucy |
97 |
吳嘉德 |
蔡美玉 |
電影「在煤氣燈下」以及「驚魂記」中之歇斯底里研究 |
95 |
魏美玲 |
薄理察 |
The Use of Colors in William Faulkner's Light in August |
95 |
江青燕 |
游文嘉 |
"Don't Tell Anybody Anything " : The Unspoken Words in J. D. Salinger's The Catcher in the Rye |
95 |
梁桂嘉 |
薄理察 |
Gender and Power in Milan Kundera's "The Unbearable Lightness of Being" |
95 |
洪倢璿 |
陳淑芬 |
Dorothea’s Growth in George Eliot’s Home Epic—Middlemarch |
95 |
張馨文 |
貝路思 |
Trauma and Recovery in Michael Ondaatje's The English Patient |
95 |
樂竑甫 |
陳樹信 |
Unstable Body and Fluid Gender in Octavia E. Butler's Lilith's Brood. |
95 |
陳珮玲 |
李根芳 |
A Study on the Representations of Female Body in Three Popular Magazines |
94 |
何逸琪 |
游文嘉 |
Eternal Objection: On the postmodern historical representation of Guo Zheng's The Short-Lived Emperor Gaozu |
94 |
謝如萍 |
陳靜媚 |
Secret Love for the Peach Blossom Spring As A Piece of Meta theatre |
94 |
邱麗君 |
陳樹信 |
The Diverse Mother Figure in Osmanthus Alley |
94 |
蔡淑美 |
薄理察 |
"One Ring to Rule Them All" :Unconscious Desire in J. R. R. Tolkien's The Lord of the Rings |
94 |
蘇清旗 |
貝路思 |
The Relation between Death, the Autho rand the Readers, Take Maurice Maeterlinck’s Three One-act Plays as Examples |
94 |
陳明璟 |
游文嘉 |
A Socio-Psychological Analysis of Lin Kong's Characterization in Ha Jin's Waiting |
94 |
蔡怡婷 |
陳淑芬 |
Metamorphoses of Vampires in Bram Stoker ’s Draculaand Le Fanu’s “Carmilla”. |
94 |
郝俊賢 |
陳淑芬 |
Exploring the life meaning in the poetry of Keats and Wang Wei: A comparative study of the pure wisdom in their poetry |
93 |
黃怡蓁 |
李根芳 |
Cultural Hybridity in the Age of Globalization: A Case Study of AngLee's "Crouching Tiger, Hidden Dragon" |
93 |
黃鈴雅 |
陳樹信 |
Panopticon Society in Blade Runner and Do Androids Dream of an Electric Sheep? |
92 |
王約程 |
貝路思 |
Postmoderism and The Novels of Thomas Harris |
92 |
曾明鈺 |
陳靜媚 |
徐渭之《玉禪師翠鄉一夢》與沙特之《無路可出》中人的存在、循環與超脫 |
91 |
熊唯甯 |
貝路思 |
Violence in Arundhati Roy's The God of small Things |
91 |
楊燕菁 |
李根芳 |
Re-think the image of Transgressor in Taiwan's Feminism through Radclyffe Hall's The Well of Loneliness and Leslie Feinberg's Stone Butch Blues |
91 |
陳俐如 |
李根芳 |
Seeking a Self: The Cultural Identity of Chinese Americans in Homebase and Wooden Fish Songs |
91 |
莊美雅 |
李根芳 |
"There Is Always the Other Side, Always" :Silences in Jean Rhys's Wide Sargasso Sea |
91 |
蘇盈菁 |
李根芳 |
Gender and Exile: Jamaica Kincaid's Lucy and Annie John |
90 |
劉俊偉 |
陳淑芬 |
Meta dramatic Discourse: Illusion ,Reality and Repre-sentation in William Shakespeare's "Hamlet" and AlPacino's "Looking for Richard" |
90 |
江萬祺 |
貝路思 |
The Menace of The Vampire: A Social Discourse Study of Bram Stoker's "Dracula" |
90 |
葉怡君 |
陳靜媚 |
From Chrysalis to Butterfly: The Female Body in Tennessee Williams's The Glass Menagerie and Mei-yin Liu's The Train Vagina Is Going/Penetrating Flowers |