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比較文學所

比較文學所

學年度

學 生

指導教授

畢業論文

102

沈昀徵

楊意鈴

Stephen Dedalus’s Self-Alienation and Fantasy in James Joyce’s A Portrait of the Artist as a Young Man

98

林泰源

吳萼洲

Three Social States in Jack London’s White Fang

98

陳盈如

陳樹信

Polyphony in Wang Chen-ho’s Rose Rose, I Love You

98

黃聖文

李宜臻

The Contending Forces of Money, Power, and Salvation in Bernard Shaw’s Major Barbara: A Marxian Reading

98

謝雅芬

蔡美玉

Zadie Smith’s White Teeth: Multiculturalism and Immigrant Experience

98

李佩靜

李宜臻

A Postcolonial Reading of W.B. Yeats’s The Countess Cathleen, Cathleen ni Houlihan, and “Easter 1916”:Gender, Nation, and Sacrificial Paradigms

97

劉安嫺

薄理察

Civilization and Its Discontents in John Fowels’s The French Lieutenant’s Woman

97

鄭淑麗

李宜臻

Representations of Irish Mythological Heroine Deirdre in Yeats’s, Synge’s and Lady Gregory’s Deirdre

97

戴佑家

李根芳

「城市與消費」:紐約都會女性部落生活分析以《慾望城市電影為例》

97

楊雅惠

貝路思

Searching for Lost Maternal Inheritance: Clare Savage in Abeng and No Telephone to Heaven

97

陳達仁

貝路思

The Relationship between Men and Women in Madame Bovary and Effi Briest: Social Pressure and Inner Conflicts

97

許炳富

蔡美玉

Female and Mothering in Amy Tan’s “The Joy Luck Club”

97

沈家如

蔡美玉

Traumatic Haunting and Wounded Selves in Jamaica Kincaid’s The Autobiography of My Mother and Lucy

97

吳嘉德

蔡美玉

電影「在煤氣燈下」以及「驚魂記」中之歇斯底里研究

95

魏美玲

薄理察

The Use of Colors in William Faulkner's Light in August

95

江青燕

游文嘉

"Don't Tell Anybody Anything " : The Unspoken Words in J. D. Salinger's The Catcher in the Rye

95

梁桂嘉

薄理察

Gender and Power in Milan Kundera's "The Unbearable Lightness of Being"

95

洪倢璿

陳淑芬

Dorothea’s Growth in George Eliot’s Home Epic—Middlemarch

95

張馨文

貝路思

Trauma and Recovery in Michael Ondaatje's The English Patient

95

樂竑甫

陳樹信

Unstable Body and Fluid Gender in Octavia E. Butler's Lilith's Brood.

95

陳珮玲

李根芳

A Study on the Representations of Female Body in Three Popular Magazines

94

何逸琪

游文嘉

Eternal Objection: On the postmodern historical representation of Guo Zheng's The Short-Lived Emperor Gaozu

94

謝如萍

陳靜媚

Secret Love for the Peach Blossom Spring As A Piece of Meta theatre

94

邱麗君

陳樹信

The Diverse Mother Figure in Osmanthus Alley

94

蔡淑美

薄理察

"One Ring to Rule Them All" :Unconscious Desire in J. R. R. Tolkien's The Lord of the Rings

94

蘇清旗

貝路思

The Relation between Death, the Autho rand the Readers, Take Maurice Maeterlinck’s Three One-act Plays as Examples

94

陳明璟

游文嘉

A Socio-Psychological Analysis of Lin Kong's Characterization in Ha Jin's Waiting

94

蔡怡婷

陳淑芬

Metamorphoses of Vampires in Bram Stoker ’s Draculaand Le Fanu’s “Carmilla”.

94

郝俊賢

陳淑芬

Exploring the life meaning in the poetry of Keats and Wang Wei: A comparative study of the pure wisdom in their poetry

93

黃怡蓁

李根芳

Cultural Hybridity in the Age of Globalization: A Case Study of AngLee's "Crouching Tiger, Hidden Dragon"

93

黃鈴雅

陳樹信

Panopticon Society in Blade Runner and Do Androids Dream of an Electric Sheep?

92

王約程

貝路思

Postmoderism and The Novels of Thomas Harris

92

曾明鈺

陳靜媚

徐渭之《玉禪師翠鄉一夢》與沙特之《無路可出》中人的存在、循環與超脫

91

熊唯甯

貝路思

Violence in Arundhati Roy's The God of small Things

91

楊燕菁

李根芳

Re-think the image of Transgressor in Taiwan's Feminism through Radclyffe Hall's The Well of Loneliness and Leslie Feinberg's Stone Butch Blues

91

陳俐如

李根芳

Seeking a Self: The Cultural Identity of Chinese Americans in Homebase and Wooden Fish Songs

91

莊美雅

李根芳

"There Is Always the Other Side, Always" :Silences in Jean Rhys's Wide Sargasso Sea

91

蘇盈菁

李根芳

Gender and Exile: Jamaica Kincaid's Lucy and Annie John

90

劉俊偉

陳淑芬

Meta dramatic Discourse: Illusion ,Reality and Repre-sentation in William Shakespeare's "Hamlet" and AlPacino's "Looking for Richard"

90

江萬祺

貝路思

The Menace of The Vampire: A Social Discourse Study of Bram Stoker's "Dracula"

90

葉怡君

陳靜媚

From Chrysalis to Butterfly: The Female Body in Tennessee Williams's The Glass Menagerie and Mei-yin Liu's The Train Vagina Is Going/Penetrating Flowers

 

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