【期刊論文】

1. Lin, Hsin-Ying. 2015. “‘It was self-defense, and that would be all right’: The Problematization of Innocence in Ian McEwan’s The Innocent.” Kaohsiung Normal University Journal: Humanities and Arts 39 (December 2015): 131-149. [ISSN:1021-4542] [THCI]

2. Lin, Hsin-Ying. 2015. “That puts it not unto the Touch, To win or lose it all’: The Moral Metaphor of Witchcraft in John Buchan’s Witch Wood.” The Wenshan Review of Literature and Culture 8.2 (June 2015): 87-113. [ISSN: 2077-1282] [THCI Core; MLA; MOST 103-2629-H-194-001-]

3. Lin, Hsin-Ying. 2013. “‘Recording the hideous events’: The Second Self in James Hogg’s The Private Memoirs and Confessions of a Justified Sinner.” Journal of National Taichung University: Humanities & Arts 27.2 (December 2013): 23-41. [ISSN: 1817-6429] [THCI; NSC 102-2629-H-194-001-]

4. Lin, Hsin-Ying. 2013. “Mental Borders in Ian Rankin’s Black and Blue.” Cross-cultural Studies 1.9 (March 2013): 138-164. [ISSN: 2071-4971] [THCI; NSC 101-2629-H-194-001-]

5. Lin, Hsin-Ying. 2012. “‘The Flight in the Heather’: The Search for the Father-Figure of Scotland in Robert Louis Stevenson’s Kidnapped.” Fiction and Drama 22.1 (2012): 41-74. [ISSN: 2073-042x] [THCI]

【專書論文】

Books / 專書

1. Lin, Hsin-Ying. 2012. Scottish Romantic Enlightenment, Gothic Imagination and Sir Walter Scott’s Literary Historical Narratives. Taipei: Bookman Books, 2012. [ISBN: 978-957-445-509-6] (Scots-Profs.-Peer-Reviewed)

Book Chapters / 專書論文

1. Lin, Hsin-Ying. 2011. “Nation and Historical Memory: Oral Tradition in the Scottish Historical Balladry." Multimedia-Based Multicultural Instruction and Research: Innovative 21st-Century Approaches via Literature and Language. Ed. Ying-hsiung Chou. Taipei: Crane, 2011. 33-53. [ISBN: 978-986-147-478-6] (Scots-Profs.-Peer-Reviewed)